By Christine Macy
Winner of the 2006 Alice Davis Hitchcock Award!
The be aware 'nature' comes from natura, Latin for delivery - as do the phrases kingdom, local and innate. yet nature and kingdom percentage greater than a typical root, they proportion a standard background the place one time period has been used to outline the opposite. within the usa, the connection among country and nature has been important to its colonial and post-colonial background, from the belief of the noble savage to the parable of the frontier. Narrated, painted and filmed, American landscapes were principal to the development of a countrywide id.
Architecture and Nature presents an in-depth research of the way altering principles of what nature is and what it ability for the rustic were represented in constructions and landscapes during the last century.
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Extra info for Architecture and Nature: Creating the American Landscape
Eleven, 1. 21 Clark Richert Plate 24, Plate 25 David Morris and Fred Pﬂughoft 2. 17 David Travers four. nine, four. 10, four. thirteen, four. 37, four. 38 Doris Ullman, college of Oregon three. 31 Earle S. Draper, Jr. three. 30, three. 35, three. 36, three. 37, three. 38, three. forty, three. forty two, three. forty three, three. forty four, three. forty five Edward E. Ayer assortment, Newberry Library 1. 17 Eric Mendelsohn three. eleven ESTO four. 34, four. 36 Garrett Eckbo four. eleven Glacier common background organization 2. eleven Grace Chan four. 35 Harold Leydenfrost four. 33 Hartley and Marks five. 21 Herbert J. Cowling 2. 29 Hildegard von Bingen five. 18 Institute for light-weight constructions data five. nine, five. 10, five. 12 Jack Fulton five. 20, five. 22, five. 23 John de Visser five. 6, Plate 20 x | representation credit Judy-Ann Obersi 2. 21, three. 2 Julius Shulman four. five, four. 7, four. eight, four. 12, four. 15, four. 21, four. 23, four. 28, four. 29, four. 30, Plate 15, Plate sixteen Larry Keenan affiliates five. 2 Louise Almack four. 26 Marvin Rand four. 27, four. 39 Minnesota ancient Society 2. 1 Montana historic Society 2. five, 2. 6, 2. 7, 2. 12, 2. thirteen, 2. 15, 2. sixteen, 2. 18, 2. 22, Plate four, Plate nine nationwide data 2. 2, 2. three, 2. four, 2. 24, 2. 25, 2. 26, 2. 27, 2. 30, 2. 31, 2. 32, 2. 34, 2. 35, 2. 36, three. four, three. 10, three. thirteen, three. 24, three. 25, three. 26, three. 27, three. 28, three. 33, three. fifty two New Alchemists/Ocean Ark overseas five. 24 long island kingdom Library, Albany 1. 14 Ralph Rapson four. 1, four. 2, four. three, four. four Robert Cameron four. forty six, four. forty seven Rohm and Haas four. 18 Rosengarten assortment five. thirteen Sierra membership Books five. 25, five. 26, five. 27 Tammen corporation and Montana ancient Society 2. 19 The Eames Ofﬁce four. sixteen, four. 19, four. 20, four. 22, four. 24, four. 25 The property of R. Buckminster Fuller five. 1, five. five, five. 7, five. eight, five. eleven, five. 14, five. 15, five. sixteen, five. 17, five. 19, Plate 21, Plate 22, Plate 23 The Fred Harvey assortment, Grand Canyon nationwide Park 2. 33 The trustees of the Boston Library 1. 1, 1. 12, 1. 24 Time existence Syndicate four. 17, four. forty-one, four. forty three TVA three. 1, three. five, three. 7, three. eight, three. nine, three. 12, three. 14, three. 15, three. sixteen, three. 17, three. 18, three. 21, three. 22, three. 23, three. 29, three. 32, three. 34, three. 39, three. forty-one, three. forty eight, three. forty nine, three. 50, three. fifty one UC Santa Barbara, collage paintings Museum four. 6 Union Paciﬁc old assortment three. 19 college of Nevada at Las Vegas, certain Collections. three. 6 Ville de Montréal – Gestion de files et information Plate 19 Washington college Gallery of artwork, St. Louis 1. sixteen Acknowledgments A publication, like a development, is usually a collaborative attempt that contains the contribution of many of us over an extended time period. but our ﬁrst acknowledgment during this collaborative undertaking has to be to one another – this publication has built out of numerous conversations, shared adventures and sustained paintings over six years. within the method, we’ve grew to become to disciplines we all know – structure and geography – and faced these we don't – historical past and the craft of writing. the final rules and arguments for structure and Nature, the study and the bankruptcy outlines have been labored out collaboratively, as was once the writing of Chapters 1 and five. Of the remainder chapters, Sarah wrote the advent and bankruptcy 2 and Christine wrote Chapters three and four. we're very thankful to the numerous those who welcomed us into their offices and houses, gave us excursions, spread out their own picture albums and shared with us their stories, particularly Duane Bailey, Katherine (Kay) Potts Bianculli, Earle S.