By Myfanwy Tristram, Kenneth Dover
Author note: David Harvey (Editor), John Wilkins (Editor), Myfanwy Tristram (Illustrator), Kenneth Dover (Forward)
Due to the shortage of surviving texts by way of different poets, you can still disregard that Aristophanes wrote for pageant and that contention used to be a massive part within the rhetoric of his comedies, particularly Clouds and Knights .
This vital examine, comprising 26 essays by way of best foreign students offered at a convention held on the Institute of Classical stories in London in 1996, goals to advertise a greater figuring out of Aristophanes' paintings via assessing that of his many opponents, together with Cratinus, Hermippus and Eupolis, who usually triumphed over Aristophanes at significant civic gala's.
The papers additionally reflect on the proof for Aristophanes' rival poets in different assets, particularly painted vases. The chapters are divided into 5 sections: modifying comedian fragments, poets of previous Comedy, the transition to center Comedy, literary subject matters and social issues.
Kenneth Dover, W Geoffrey Arnott, Wolfgang Luppe, Ralph M Rosen, James Davidson, S Douglas Olson, Dwora Gilula, David Harvey, Jeffrey Henderson, David Braund, Giorgos Kavvadias, Ian C Storey, Thomas Braun, Heinz-Guenther Nesselrath, Keith Sidwell, N J Lowe, Bernhard Zimmermann, Stephen Colvin, Michael Silk, Angus Bowie, John Wilkins, Nick Fisher, Andrew Dalby, Edith corridor, Christopher Carey, Alan H Sommerstein, Paola Ceccarelli, Ian Ruffell.
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Extra info for The Rivals of Aristophanes: Studies in Athenian Old Comedy
1903 Der Mimus, Berlin. Reynolds R. W. 1946 ‘The adultery mime’, CQ forty, 77–84. Ross D. O. 1975 Backgrounds to Augustan Poetry, Cambridge. stated S. 1979 ‘L’Assembleé des femmes: les femmes, l’économie et los angeles politique’, in Aristophane, les femmes et los angeles cité = Les Cahiers de Fontenay 17, 33–69, translated as ‘The meeting girls: girls, financial system and politics’, in Segal (ed. ) Oxford Readings, 1996, 282–313. Segal E. (ed. ) 1996 Oxford Readings in Aristophanes, Oxford. James Davidson Sinos R. H. 1993 ‘Divine choice: epiphany and politics in archaic Greece’, in C. Dougherty & L. Kurke (eds. ) Cultural Poetics in Archaic Greece, Cambridge, 73–91. Sommerstein A. H. (ed. ) 1990 Aristophanes: Lysistrata, Warminster. Teodorsson S. -T. 1996 A observation on Plutarch’s desk Talks III (bks. 7–9), Gothenburg. Ussher R. G. (ed. ) 1973 Aristophanes: Eccleziasusae, Oxford. von Christ W. (revised W. Schmid & O. Stählin) 1928 Geschichte der griechischen Literatur II. sixteen, Munich. Wehrli F. 1948 Die Schule des Aristoteles III: Klearchos, Basle. West M. L. 1992 historic Greek track, Oxford. Wheeler A. L. 1934 Catullus and the Traditions of historic Poetry, Berkeley. Williams F. 1971 ‘A theophany in Theocritus’, CQ 21, 137–41. Winkler J. J. 1990 the limitations of hope: the anthropology of intercourse and gender in historical Greece, manhattan. Wiseman T. P. 1985 Catullus and his international, Cambridge. 2000 ‘Liber: fable, drama and beliefs in Republican Rome’, in Ch. Bruun (ed. ) The Roman center Republic: Politics, faith and historiography c. 400–133 BC, [= Acta Instituti Romani Finlandiae 23], Rome, 265–99. Zanker P. 1988 the facility of pictures within the Age of Augustus, Ann Arbor. bankruptcy five WE DIDN’T be aware of even if TO snigger OR CRY: THE CASE OF KARKINOS S. Douglas Olson At Aristophanes Peace 782–95, the refrain, having requested the foundation to ‘thrust away wars’ and dance with them (lines 775–81), pass directly to request a moment, possible comparable favour: but when Karkinos comes and asks you to bop within the corporation of his sons, pay him no cognizance and lend them no help. No: examine all of them house-bred quail; neckless, dwarfish dancers; snippets of goat-shit; searchers after units. for his or her father admitted that, as for the play he suddenly received, a weasel throttled it final evening. there's a good deal approximately this passage that is and should possibly regularly stay imprecise. what's still transparent is that Karkinos and his sons are – as befits the subject of this e-book – conceived in particular as competitors of the refrain of Peace and, by means of extension, of the poet himself: the foundation can decide to dance without any or them all, yet Aristophanes and his characters may a lot favor that she supply them her particular cognizance and reject Karkinos and his relations as nasty, misshapen garbage. 1 In an interesting fresh article, Kenneth S. Rothwell has argued that Karkinos wrote now not tragedies, as has in general been intended, yet comedies, and should therefore have competed without delay opposed to Aristophanes in Athens’ dramatic gala's, plausible which might doubtless aid clarify the very opposed tone within the connection with him and his sons in Peace (Rothwell 1994).